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Smokey Dalton Series
In the first week of the new decade, an emergency phone call shatters Chicago Private Detective Smokey Dalton’s hopes for a good 1970. His adopted son Jimmy and Jimmy’s best friend and cousin Keith Grimshaw need help.
Smokey arrives at a South Side hotel across from the boys’ school in time to clean up a horrible mess, one the boys mostly solve on their own. But the boys’ heroic actions echo across all of Chicago. Smokey finds himself standing alone against street gangs, the mob, and the Democratic Machine.
If he fights this battle and fails, he stands to lose not only Jimmy and their future together, but also his life.
“Easy comparisons can be made to Dave Robicheaux, Spenser, and Easy Rawlins, but Smokey is his own man. Women want to be near him and cook his dinner as he settles his nerves with three fingers of Scotch. A great read for fans of detectives guarding an inner city’s grimy streets.” —Library Journal
“Dalton’s hard won small victory vividly illustrates a turbulent period of our recent cultural history.” —Publisher’s Weekly
“… a gripping read that drags us deeper into [Smokey] Dalton’s uneasy world.” —Entertainment Weekly on War at Home
Acclaim for the Smokey Dalton Series
• Edgar Award nomination
• Shamus nomination for Best Private Eye Hardcover Novel
• Winner of two Spotted Owl Awards for Best Mystery by a Northwest Writer
• Oregon Book Award Nomination
|Trade Paper or Hardback|
Praise for the Smokey Dalton Series
“Nelscott’s series setting, in the turbulent late ’60s, gives her books layers of issues of racism, class, and war, all of which still seem to remain sadly timely today.” —Oregonian
“Nelscott has her own, very distinct voice, and her series creates its own deeply satisfying pleasures and cogent points.” —Seattle Times
“Nelscott is good at conveying the edgy caution that blacks once brought to their movements among white society.” —Houston Chronicle
“(A) crime writer deliberately taking chances.” —Chicago Tribune
“It’s not hard to draw parallels between Nelscott’s PI Smokey Dalton and Walter Mosley’s Easy Rawlins, another secretive, canny black man trying to solve mysteries while circumspectly navigating the white world. But Dalton’s no knock-off. (Would you label the hundreds of hard-boiled detectives who’ve appeared in Raymond Chandler’s wake mere Marlow Xeroxes because they’re white?) —Entertainment Weekly
Also by Kris Nelscott
The party on Haight-Ashbury Street in San Francisco ended two years before and now only a handful of people remain to clean up the mess. One of them, the receptionist at the Free Clinic, studies medicine with the hope of becoming a doctor, but everyone—from her professors to the staff at San Francisco General—tell her she can’t because of her gender. She’s not sure she can because of the choices a doctor must make on the front lines. Choices brought to the clinic that night in the form of a crazy, drug-addicted woman and a street kid named Klepto. Choices that mean the difference between life and death.
“Somebody needs to say that Kris Nelscott is engaged in an ongoing fictional study of a thorny era in American political and racial history. If that’s not enough to get ‘serious’ critics and readers to pay attention to her, it’s their loss.” —Charles Taylor, Salon.com